This Life Isnât About a Husband, Itâs About an Oscar
Episode 9
A short while later.
Jega Se-yeon watched Seo Kyung-binâs performance through the monitor beyond the camera.
This was the scene where the male and female leads meet for the first time.
Hyun-woo, a friend of the homeowner, had been promised he could live in the house for a monthly rent of 100,000 won if he managed to drive out the troublesome tenant.
â You look kind of intimidating. Just push them out by force.
Standing in front of the door, Hyun-woo half-heartedly responded to his friendâs phone call.
âForce? What force. Damn it, Iâm a civilized man too.â
Watching Hyun-wooâs acting through the monitor, Jega Se-yeon let out a faint smile.
Just as expected.
Seo Kyung-bin was a rising rookie who had appeared like a comet in the indie film scene, and roles like thisâslightly rough-edged, good-looking troublemakersâfit him perfectly.
âWith that face and acting skills, of course indie directors would be drooling over him.â
The only regret was that his face wasnât quite suited for romantic drama leads, making mainstream television harder to break intoâ
âBut at this level, commercial films will come calling soon enough.â
âItâs just about solving things with words. What do you mean, force⌠damn it.â
As he spoke, Hyun-woo grabbed the doorknob.
At that exact moment, something that had been leaning against the inside of the door collapsed with a dull thud.
More precisely, a woman fell straight backward, now lying on the floor and staring up at him.
Her upside-down face was smeared with what looked like spicy jjambbong soup.
Her eyes were wide open.
Cute, yet grotesque.
The woman muttered,
âYongmokâŚ?â
She called the name of her former lover.
The moment Sui-n saw her, Hyun-woo screamed in shock.
âGyaaaah! Aah! AHHHHH!â
But Sui-n paid him no mind and calmly slurped up the noodles hanging from her lips.
Laughter that had been barely contained erupted among the staff.
At that moment, Jega Se-yeon felt a chill run through her entire body.
Ah, I can feel it.
This is going to be the moment the audience bursts out laughing in theaters.
Even when she worked as a script supervisor on commercial films, it had been the same.
The production company wanted to cut the scene, but she had insisted on keeping it, sensing something electric on set.
In the end, that scene became the filmâs highlightâso much so that comedians later parodied it on variety shows after release.
And thenâ
âCut!â
Along with Jega Se-yeonâs voice, something appeared in front of Sui-n⌠no, Ha Eun-raeâs eyes.
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Still sitting with jjambbong soup on her face, Ha Eun-rae silently thought âYes.â
At that momentâ
<Living with a Ghost> Awards: Official invitation, Cannes Film Festival, La CinĂŠfondation section Audience: 20,000 Cannes Film Festival: An international film festival held in Cannes, France, one of the worldâs top three film festivals
âŚ!
Cannes Film Festival? 20,000 viewers for an indie film?
Ha Eun-raeâs eyes widened just as a hand holding a handkerchief suddenly appeared in front of her.
When she looked up, she saw Park Seo-woo.
âYou worked hard.â
At the same timeâ
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A âSearch Ticketâ had arrived.
Park Seo-woo had not been able to take his eyes off Ha Eun-raeâs acting the entire time.
The premise itself was already artificialâshe was a woman who believed herself to be a ghost.
And yet Ha Eun-rae fully embodied that premise while also grounding it in a realism that made it feel like such a person could genuinely exist somewhere.
More than anything, her acting was creative.
She built a character in a way no one else could imagine, and performed it without hesitation through her body.
To the point where it made even the observer feel uneasy.
And yet, that very uneasiness only made her performance more irresistible.
So much so that it felt almost offensiveâthat such acting would belong in someone elseâs project and not his own.
âEun-rae. This scene is really good. I want to shoot another angle too. Can you stay in character while we set it up?â
âYes, of course.â
Ha Eun-rae smiled at the director and returned the handkerchief to Park Seo-woo.
âI donât think I should wipe it off yet.â
âOh, I see.â
Park Seo-woo put the handkerchief away again and returned to the cinematography team, reviewing the storyboard.
âHey, that girl is something else.â
While adjusting the equipment for a different angle, the cinematographer quietly spoke to Park Seo-woo.
He had previously worked on several OTT dramas before entering film school.
In truth, many people there were like thatâalready experienced professionals entering under the name of âacademy.â
And yet this man was calling Ha Eun-rae, someone who had apparently never acted a day in her life, âsomething else.â
âShe doesnât have an agency yet?â
âYouâre talking about the lead actress. Watch your words.â
ââŚWeâve got a 12-year age gap, so should I call her âmaâamâ instead? Thatâs just weird.â
The cinematographer, who was close enough with him to banter like brothers, slapped his shoulder.
Even with his large build, Park Seo-woo didnât budge.
âYou look scrawny, but youâre solid. Still boxing?â
âWant to get hit again next time?â
âDamn you.â
The cinematographer frowned, remembering their sparring match.
Their connection had started in a boxing gym.
Park Seo-woo, age nineteen.
The cinematographer could never forget him.
He had trained for years, and there was a clear weight difference of at least twenty kilograms.
So of course he assumed he would winâŚ
âUgh⌠w-what?â
It ended in a first-round KO.
Nineteen-year-old Park Seo-woo had no fear of being hit and closed the distance instantly, knocking him down.
It was unforgettable.
The way he never hesitated against incoming attacks.
âAre you trying to become a pro boxer?â
âNo.â
âThen what?â
âFilm director.â
âWhat?â
âI want to be a director.â
That was the beginning of their relationship.
As always, Park Seo-woo was an incomprehensible person.
The cinematographer quietly watched his profile as he reviewed the storyboard.
âShould we shoot this scene one more time? I think adding more close-ups would work better.â
He recalled what Seo-woo had said during the incense-burning scene.
This monster of a man, who could visualize an entire film just by reading a storyboard, had already mapped out exactly how close-ups should be used in editing.
âI remember being shocked when I saw his club project.â
Not just the script.
Even his photography had stunned him.
How could a twenty-year-old shoot like that?
He wrote well, understood camera work, and now even grasped editing from the storyboard stage.
At this point, getting into film school seemed like a guaranteed future.
Though Park Seo-wooâs ambition likely didnât end there.
When he had seen Seo-wooâs screenplay and suggested starting production immediately, Seo-woo had said:
âIâll refine it more.â
âYou planning to submit this somewhere? Just upload it to YouTube or somethingâŚâ
âI prefer perfection.â
Honestly, geniuses were impossible to understand.
And Ha Eun-rae was someone that genius had recognized instantly.
Of course, after seeing her performance, anyone would recognize her.
âAnyway, whichever company signs that actress is going to strike gold. Once this releases, the industry will go crazy. Even if we show the rough cut to professors, casting calls will start pouring in. People in this industry donât sit still when they see talent like that.â
He was right.
Filmmakers were always on the hunt for âmaterial.â
That material could be a screenplay, a director, orâ
Above all else, the most important material.
A new face.
A rookie actor.
Discover one properly, and it was a jackpot.
Just thenâ
âHyung. About that short film we talked about before. My screenplay.â
Park Seo-woo suddenly spoke.
âI think Iâll revise it again today. Letâs shoot that one. Us.â






